This is a version that she recorded live for a tv programme. What I'm interested in is the instrumentation. The lady herself is playing a digital piano and the guitarist is playing an acoustic guitar - no surprises there but the percussionist/drummer seems to be sitting on a wooden box that he's playing.
I'd like to learn about this "box". Is it a commercially available instrument or something that he's made himself? It seems to me that this instrument might be a good way of bringing some percussion to the smaller gathering where we sing together as part of our worship.
Hi Both
Oooh this is exciting! Sarah, really interested to hear that your husband uses one and Daniel, you've beat me to it! I shall be interested to hear how you get on with it. What I'd really like to do is to persuade one of our percussion / drummers to buy one. Even if I buy one the chances are that I won't get a chance to play it as I'll be playing the guitar!
Mark
So far, I like it a lot. Not had lots of time to play it, but if you approach it a bit like playing a djembe then you get a sound a bit like a bass drum from the middle, and nice snare-drum-like sounds from the edge. I can't do all the fancy stuff from the youtube videos yet, but not sure you'd need to for a worship context!
You're right though - another instrument I can't play at the same time as guitar. I might lend it out during church services - also, could be very good for home recording. I can't play drums (only hand-drums) and programming drum tracks takes me a long time - with this you can get something quite simple recorded fairly quickly, I reckon.
Hi Daniel
Very nice indeed. It really does sit well with the acoustic guitar doesn't it. What model did you go for? How did you record the piece, is it all you mulittracked?
Mark
Recording: yes, all me playing, multitracked: both the drums and cajon are recorded in stereo using AKG1000 condenser mics, on my old boss br532 recorder. There was a bit of fun here, because one of the inputs on the recorder is high impedance so not really suited to the microphones.... still there was enough signal to get the bass "boom" out of the back of the cajon. The second mic I put over the front board, to see if I could get a bit of the slap sound coming through.
So, I would think it's still possible to do better, but it'll do!